MEDIA TECHNOLOGIES AS CHANNELS OF PROMOTING POPULAR CULTURE IN NIGERIA: PROSPECTS AND CHALLENGES
Abstract
This study investigates the evolving intersection of popular culture and dance technology
within a metropolitan context, with a specific focus on Delta State, Nigeria. Recognizing dance
as a critical medium of cultural expression and social commentary, the research explores how
technological innovations, particularly digital platforms like TikTok, YouTube, and Instagram,
are reshaping dance practices, audience engagement, and cultural representation. Drawing from
Raymond Williams' Cultural Theory and Marshall McLuhan's Technological Determinism, the
study adopts a qualitative research design, incorporating semi-structured interviews,
participant observations, and digital content analysis. Findings reveal that while dance
technology offers significant prospects for creative innovation, cultural preservation, youth
empowerment, and global visibility, it also presents challenges, including digital inequality,
cultural misrepresentation, commodification, and infrastructural limitations. The research
concludes that the fusion of popular dance and technology reflects broader socio-cultural shifts
in urban Nigeria and calls for sustained investment, policy support, and inclusive digital access
to ensure equitable participation. This study contributes to academic discourse in cultural and
performance studies and provides practical insights for practitioners, educators, and
policymakers concerned with the future of dance and digital expression in urban Africa.
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