THE AESTHETIC IMPACT OF TRADITIONAL HAIRSTYLES OF IJEBU ODE PEOPLE ON THE STAGE REALIZATION OF OLA ROTIMI THE GOD’S ARE NOT TO BLAME

Student: Mercy Ada Anthony
Supervisor: Mr Chijioke Iyamah Yankson
HOD: Mr Charles Agha
Department of Theatre Arts
Arts
University of Delta, Agbor, Delta State

Abstract

This study examines the aesthetic impact of traditional hairstyles of the Ijebu Ode people on the stage realization of Ola Rotimi’s The Gods Are Not to Blame. It explores how indigenous hairstyling practices contribute to cultural authenticity, character portrayal, and visual appeal in theatrical performances. The research adopts a qualitative, descriptive case study approach, focusing on interviews with traditional hairstylists, cultural custodians, and theatre practitioners, as well as observations and photographic documentation of relevant stage productions. Data are analyzed thematically to identify the cultural meanings and aesthetic values embedded in these hairstyles, and their application in stagecraft. Findings reveal that traditional Ijebu hairstyles enhance visual storytelling, strengthen cultural identity, and provide deeper audience engagement when accurately integrated into performance design. The study recommends that theatre practitioners and costume designers incorporate authentic indigenous hairstyling techniques to preserve cultural heritage and enrich the theatrical experience.

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