POTENTIALITY OF SATIRE AS THERAPY FOR SOCIAL VICES IN THE TRIAL OF BROTHER JERO BY WOLE SOYINKA

Contemporary Nigerian theatre actively engages with pressing social issues such as gender equality, human rights, and environmental sustainability (Adedeji 50). Young playwrights and directors are pioneering innovative storytelling techniques, integrating multimedia elements like projections and digital soundscapes to enhance audience engagement (Okome 350). Theatre festivals, such as the renowned Lagos Theatre Festival, play a pivotal role in showcasing new works and facilitating cultural exchange on both local and international levels (Ogungbesan 92). Despite challenges such as funding limitations and inadequate infrastructure, Nigerian theatre remains resilient, reflecting the complexities and vibrancy of Nigerian society. Moreover, modern Nigerian theatre explores a diverse range of themes that resonate deeply with its audience. Productions often delve into issues like corruption, social inequality, and gender roles, offering critical perspectives on these societal challenges (Ezenwa-Ohaeto 115). Works such as Femi Osofisan’s Once Upon Four Robbers provide insightful commentary on political corruption and social disparities, encouraging dialogue on social justice and reform (Ezenwa-Ohaeto 120). Themes of gender roles and feminism are prominently featured in plays like Tess Onwueme’s Tell It to Women, which challenge traditional norms and advocate for women's rights (Adedeji 55). These narratives reflect evolving attitudes towards gender in Nigerian society, promoting discussions on equality and empowerment. The clash between tradition and modernity is another recurrent theme in Nigerian theatre, examining the tension between cultural heritage and contemporary influences (Ogungbesan 80). J.P. Clark’s The Wives’ Revolt illustrates societal conflicts arising from shifting norms, while productions like Biyi Bandele’s