OBJECTIFYING THE FEMALE BODY IN CONTEMPORARY NIGERIAN MUSIC VIDEO: A GENDER CRITIQUE
Abstract
This paper assessed existing Nigerian Music Videos for female sexual objectification is intent to
discover how Nigeria contemporary Music videos have been implicated in the objectification of the
female body, dissemination of sexually provocative dance styles, gestures and nudity. The prevalence of
the internet has further aggravated the situation, with a myriad of music video websites. Contemporary
Nigerian music videos have further been named as which the media gains attention from viewers by
featuring sexually objectifying content. This study set out to identify elements of sexual objectification
is Nigerian contemporary music s. The study adopted the content analysis research design. 20 Nigerian
contemporary musical videos were purposively chosen from a population of top over 2000 online
Nigerian contemporary music videos from 2015 to 2023. The instrument for data collection was the
code sheet. Data obtained revealed that sexual objectification elements abound in online Nigerian
contemporary music videos. Sexual objectification is evident through stomach, chest cleavage, upper
thigh, liking of lips, self-touching of the female breast and buttocks revelation in shots, and that female
body puts were often on display. The study also revealed that sexual objectification patterns come in the
form of sexual gestures. Females are predominantly seen to carry out self-touching. Touching was
predominant among the female and males. The study recommended that stakeholders in the industry
should practice self-regulation. There should be conscious effort to produce Nigerian contemporary
music videos that do not sexually objectify either gender.
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