AUTHORIAL VOICE AND SYMBOLISM IN OKOT P'BITEK'S SONG OF LAWINO AND SONG OF 'OCOL

Student: Dika Tyoule
Supervisor: Dr James Atouoto Kerker
HOD: Prof Philip Bagu
Department of English
Arts
Rev. Fr. Moses Orshio Adasu University, Makurdi

Abstract

The research is a study of authorial voice and symbolism in Okot p' Bitek's Song of Lawino and Song of Ocol. In line with this, attention is given to the manner in which the author presents social issues in the text that bother on identity, culture, language, in a peculiar narrative angle. These issues are addressed in the text from a unique point of view that relies heavily on the author's exploit of the Acoli indigenous idioms, and his prowess in using appropriate symbols to tell a depict the social issues about the lives of East Africans. To achieve this, the research examines the dialogue, use of songs, praise names, imagery used by the author to carve out a unique authorial voice. Therefore, the narrative devices are studied using the Semantic Stylistic Theory lens and a qualitative literary analysis methodology. Thus, the findings of the research reveal that p'Bitek's Song of Lawino and Song of Ocol has a unique narrative sensibility that truly defines the creative expertise of the author. This leads to the conclusion that apart from the thematic issues of clash of culture, modernity versus tradition, identity, culture, politics and others that inform the writing of the text, there is in the poems a unique authorial voice and symbolism that truly defines the artistic inclinations of the author as a unique African poet.

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