MYTHS AND SYMBOLISM AS STYLISTIC DEVICES IN BEN OKRI’S THE FAMISHED ROAD AND ASTONISHING THE GODS
Abstract
This research explores the use of myths and symbolism as stylistic devices in Ben Okri’s The Famished Road and Astonishing the Gods. It examines how Okri draws from African cosmology, folklore, and spiritual traditions to create a layered narrative that reflects both personal and collective experiences. Through a symbolic and mythical lens, the study investigates the ways in which Okri re-imagines African identity, articulates the human condition, and engage in post colonial realities.
By analysing the texts through the framework of myths criticism and postcolonial literary theory, the research reveals that Okri uses myth not merely as a cultural ornament, but as a philosophical tool that challenges Western rationality and reasserts African ways of seeing and knowing. The study also uncovers how his symbolic language such as the spirit child motif, metaphysical journeys, and dreamlike settings serves to bridge the spiritual and material worlds.
This projects concludes that myths and symbolism in Okri’s works function as vehicles of resistance, transformation and and transcendence. They allow Okri to universalise the African experience while preserving its cultural roots, positioning African literature within both local and global context
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